2nd Annual Minnesota Art and History
Wed, May 17, 2023 11:00AM EDT
Lot 350
Carl Rawson House by Pond Oil Painting
Estimate: $800 - $1,600
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $300 | $50 |
| $1,000 | $100 |
| $3,000 | $200 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $20,000 | $2,000 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
| $500,000 | $25,000 |
| $1,000,000 | $50,000 |
| $10,000,000 | $100,000 |
Carl Rawson (American, 1884-1970). Untitled oil on board painting depicting a peaceful landscape with a house overlooking a pond. Signed along the lower right.
Carl Rawson was born in Des Moines, Iowa. He studied art at Cumming Art School, the Minneapolis School of Art, and the National Academy of Design in New York. He made his home in Minneapolis in 1906 for a position as a cartoonist for the Minneapolis Tribune where he worked for nine years. After leaving the Tribune he made a living by painting portraits and then idyllic landscapes from the Hudson River to Minnesota. His favorite topic was the North Shore of Lake Superior, where he found scenes for his brush many times.
Sight; height: 15 1/4 in x width: 19 1/4 in. Framed; height: 18 in x width: 22 in.
Carl Rawson was born in Des Moines, Iowa. He studied art at Cumming Art School, the Minneapolis School of Art, and the National Academy of Design in New York. He made his home in Minneapolis in 1906 for a position as a cartoonist for the Minneapolis Tribune where he worked for nine years. After leaving the Tribune he made a living by painting portraits and then idyllic landscapes from the Hudson River to Minnesota. His favorite topic was the North Shore of Lake Superior, where he found scenes for his brush many times.
Sight; height: 15 1/4 in x width: 19 1/4 in. Framed; height: 18 in x width: 22 in.
Condition
There are no major losses, tears, or restorations when inspected under UV light. There are a few losses to the paint layer along the extreme edge along the lower left. Some light dirt and dust collected in the recessed areas of the artwork. The varnish has slightly yellowed. Some soiling to the verso that does not affect the recto. There are sixteen nails that pierce through the verso to hold the artwork in place along the frame; they do not appear to pierce through all the way to the recto of the work. Light wear to the frame.
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