2nd Annual Minnesota Art and History
Wed, May 17, 2023 11:00AM EDT
Lot 351
Carl Rawson Landscape Oil Painting 1926
Estimate: $600 - $1,200
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $300 | $50 |
| $1,000 | $100 |
| $3,000 | $200 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $20,000 | $2,000 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
| $500,000 | $25,000 |
| $1,000,000 | $50,000 |
| $10,000,000 | $100,000 |
Carl Rawson (American, 1884-1970). Oil on board painting depicting a wooded landscape and a small pond or stream, 1926. Signed and dated along the lower right.
Carl Rawson was born in Des Moines, Iowa. He studied art at Cumming Art School, the Minneapolis School of Art, and the National Academy of Design in New York. He made his home in Minneapolis in 1906 for a position as a cartoonist for the Minneapolis Tribune where he worked for nine years. After leaving the Tribune he made a living by painting portraits and then idyllic landscapes from the Hudson River to Minnesota. His favorite topic was the North Shore of Lake Superior, where he found scenes for his brush many times.
Sight; height: 21 in x width: 26 in. Framed; height: 26 in x width: 31 1/2 in.
Carl Rawson was born in Des Moines, Iowa. He studied art at Cumming Art School, the Minneapolis School of Art, and the National Academy of Design in New York. He made his home in Minneapolis in 1906 for a position as a cartoonist for the Minneapolis Tribune where he worked for nine years. After leaving the Tribune he made a living by painting portraits and then idyllic landscapes from the Hudson River to Minnesota. His favorite topic was the North Shore of Lake Superior, where he found scenes for his brush many times.
Sight; height: 21 in x width: 26 in. Framed; height: 26 in x width: 31 1/2 in.
Condition
There are no major tears, losses, or restorations when inspected under UV light. There are a few scattered spots of minute losses throughout. There are a few light scuffs and scratches throughout the work. Light wear along the extreme edges of the work where the painting rubs against the frame. Light soiling to the verso that does not affect the recto. There are a few areas of wear along the verso where nails rub against the board. Wear and losses to the gilding throughout the frame.
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