Fine and Decorative Art, Featuring an Important Collection of Numismatics
Wed, Feb 10, 2021 11:00AM EST
Live Auction
Lot 189
Nicholas Brewer "On the Beach" Oil on Board
Estimate: $2,000 - $3,000
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $300 | $50 |
| $1,000 | $100 |
| $3,000 | $200 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $20,000 | $2,000 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
| $500,000 | $25,000 |
| $1,000,000 | $50,000 |
| $10,000,000 | $100,000 |
Nicholas Brewer (American, 1857-1949). Oil on board landscape titled "On the Beach," depicting a rocky beach scene on Laguna Bay, 1921. Signed along the lower left.
Lot Essay:
Born in a log cabin in Minnesota in 1857, Nicholas BrewerÃs work typifies his frontier spirit and love for the American landscape. He grew up on a farm, where his days were defined by hard work, but he still found the time to draw and paint in between chores. At the age of 18, he moved to St. Paul. He received some art training there from Henry Koempel, a local painter and decorator, and ended up marrying KoempelÃs daughter. He eked out a living for his swiftly growing family through portrait commissions and teaching.
In 1885, Brewer first traveled to New York, determined to make it as a serious artist. He received a small amount of training there; however, he remained primarily self-taught. He began receiving some success in New York, and continued spending winters there for much of his career. His work was included in several exhibitions, and he was inducted into the illustrious Salmagundi Club. In his later career, he traveled the United States, giving traveling lectures and exhibitions, as well as taking portrait commissions wherever he went. During one productive visit to Washington D.C., Brewer even painted a portrait of President Franklin Delano Roosevelt.
The main reason for his travels, though, was his love of the American landscape. Although Brewer was never able to fully make a living by landscape painting, it remained his true passion. His agrarian upbringing left him with a sense of reverence for the earth, and he delighted in experimenting with colors and textures to best capture the mood of a landscape. He paid particular heed to the flora he passed by, from the solemn Minnesota prairie grasses to southern blue bonnets to the tiny patches of scrub grass clinging to vertiginous California cliffs. His paintings rarely depict specific places; Brewer instead preferred to paint landscapes that he felt represented an ideal, more the spirit than the actuality of a location. Nevertheless, his travels provided him with a rich backdrop upon which to base his works.
"On the Beach" depicts the shore around Laguna Beach, painted during Brewer's 1921 visit to California. The landscape is rendered in swift, sweeping brush strokes, providing an impression of the movement of the scene, from the waves out to sea to the calm water in the small inlet depicted. The jagged rocks are made up of highly textured layers of paint, and the texture of the pebbly beach is evident in the thicker deposits of paint along the waterÃs edge. Thin strokes of green around the rocks and the water suggest clumps of slick seaweed washed up on the shore. The viewer can almost feel the texture of the beach under their feet just by looking at the painting.
The sense of intimacy in the painting, encouraged by its scale, is strengthened by the composition. The composition also contributes to the calm solitude: the small pool, tightly framed by expanding semicircles of craggy rock, feels hidden from the outside world. Coupled with the lack of figures, a characteristic aspect of BrewerÃs landscapes, it creates the feeling of having stumbled upon a secret cove, exclusively shared by painter and viewer.
Unframed; height: 10 in x width: 14 in. Framed; height: 14 3/4 in x width: 19 in.
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot Essay:
Born in a log cabin in Minnesota in 1857, Nicholas BrewerÃs work typifies his frontier spirit and love for the American landscape. He grew up on a farm, where his days were defined by hard work, but he still found the time to draw and paint in between chores. At the age of 18, he moved to St. Paul. He received some art training there from Henry Koempel, a local painter and decorator, and ended up marrying KoempelÃs daughter. He eked out a living for his swiftly growing family through portrait commissions and teaching.
In 1885, Brewer first traveled to New York, determined to make it as a serious artist. He received a small amount of training there; however, he remained primarily self-taught. He began receiving some success in New York, and continued spending winters there for much of his career. His work was included in several exhibitions, and he was inducted into the illustrious Salmagundi Club. In his later career, he traveled the United States, giving traveling lectures and exhibitions, as well as taking portrait commissions wherever he went. During one productive visit to Washington D.C., Brewer even painted a portrait of President Franklin Delano Roosevelt.
The main reason for his travels, though, was his love of the American landscape. Although Brewer was never able to fully make a living by landscape painting, it remained his true passion. His agrarian upbringing left him with a sense of reverence for the earth, and he delighted in experimenting with colors and textures to best capture the mood of a landscape. He paid particular heed to the flora he passed by, from the solemn Minnesota prairie grasses to southern blue bonnets to the tiny patches of scrub grass clinging to vertiginous California cliffs. His paintings rarely depict specific places; Brewer instead preferred to paint landscapes that he felt represented an ideal, more the spirit than the actuality of a location. Nevertheless, his travels provided him with a rich backdrop upon which to base his works.
"On the Beach" depicts the shore around Laguna Beach, painted during Brewer's 1921 visit to California. The landscape is rendered in swift, sweeping brush strokes, providing an impression of the movement of the scene, from the waves out to sea to the calm water in the small inlet depicted. The jagged rocks are made up of highly textured layers of paint, and the texture of the pebbly beach is evident in the thicker deposits of paint along the waterÃs edge. Thin strokes of green around the rocks and the water suggest clumps of slick seaweed washed up on the shore. The viewer can almost feel the texture of the beach under their feet just by looking at the painting.
The sense of intimacy in the painting, encouraged by its scale, is strengthened by the composition. The composition also contributes to the calm solitude: the small pool, tightly framed by expanding semicircles of craggy rock, feels hidden from the outside world. Coupled with the lack of figures, a characteristic aspect of BrewerÃs landscapes, it creates the feeling of having stumbled upon a secret cove, exclusively shared by painter and viewer.
Unframed; height: 10 in x width: 14 in. Framed; height: 14 3/4 in x width: 19 in.
Condition
Shipping Terms
Revere Auctions does NOT offer in-house shipping. All items must be paid for and a shipping release must be completed and returned to Revere Auctions before they can be released. As a convenience to the Buyer, Revere Auctions will make a referral for packing and shipping. This is at the request, expense, and risk of the Buyer, and Revere Auctions assumes no responsibility for the items or the timing of delivery. Insurance for in transit items is the responsibility of the buyer.
