The Arts of Asia, India, & the Middle East
Tue, Jul 18, 2023 11:00AM EDT
Lot 15
Large Hiroshi Yoshida "Sailing Boats, Mist" Jizuri
Estimate: $2,000 - $4,000
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $300 | $50 |
| $1,000 | $100 |
| $3,000 | $200 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $20,000 | $2,000 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
| $500,000 | $25,000 |
| $1,000,000 | $50,000 |
| $10,000,000 | $100,000 |
Hiroshi Yoshida (Japanese, 1876-1950). Double-oban Japanese shin-hanga woodblock print titled "Sailing Boats - Mist" depicting a sailing ship floating on the water, 1926. The detailed depiction of the reflection adds a peaceful atmosphere to the print, along with a man working alone in the boat. Jizuri seal along the left margin. Pencil signed along the lower right and titled along the lower left; titled along the lower left; marked with Yoshida's seal in plate along the lower left; further inscribed in Japanese along the left margin. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida.
One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. Later in his life he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.
Height: 22 in x width: 16 in.
No visible losses, or restoration under UV light. The sheet is toned and has light browning as shown in the listing image. There is light wear along the upper and left margins. Along the upper margin, there are two pinholes, original from the artistic practice. Along the left margin, there is a line folded crease. There is a minor crease to the lower right corner. No major losses- there is a minute tear to the upper right corner. There is a 2 in folded crease to the upper left corner. To the upper left margin, there is a foxing started to form. To the upper right margin, there is a straight line crease. Along the verso, the sheet is toned and has a light browning; There are throws square marks from the previous framer's tape along the upper margin. To the lower right corner, there is a skimming. To the upper left margin, there is a minor foxing. Along the lower margin of the verso, there is a pencil inscription "1074"; to the upper right corner, there is a pencil and pen inscription.
One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. Later in his life he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas.
Height: 22 in x width: 16 in.
Condition
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