Lot 557

Graphic USA Baden-Baden Portfolio 1967

Estimate: $5,000 - $10,000

Bid Increments

Price Bid Increment
$0 $25
$300 $50
$1,000 $100
$3,000 $200
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
$100,000 $10,000
$500,000 $25,000
$1,000,000 $50,000
$10,000,000 $100,000
Graphic USA, Edition Plus, Baden-Baden. Complete set of eight serigraph prints, 1967-68. Each numbered 99/100, pencil signed, and dated. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden. Including:
Allan D'Arcangelo (American, 1930-1998). Serigraph depicting two red and yellow striped lines crossing on a blue background with two small trees.
Robert Indiana (American, 1928-2018). Serigraph titled "German Love" depicting the artist's iconic "Love" symbol in the national colors of Germany.
Mario Yrisarry (American, b. 1933). Serigraph titled "Stern 1967" depicting a series of black lines in a grid-like pattern.
Marvin Israel (American, 1924-1984). Serigraph titled "Handiwork" depicting a face with a hand and a grid of red dots.
Alfred Jensen (Guatemalan/American, 1903-1981). Serigraph titled "Squaring of the 260-Day Calendar" depicting a grid of colors with annotations throughout.
Richard Lindner (German/American, 1901-1978). Serigraph titled "1+1=2" depicting two brightly dressed figures.
Ad Reinhart (American, 1913-1967). Serigraph depicting a black square in three shades of black. As noted along the verso of this print, Reinhardt died during the production of the portfolio but approved of the proof in a letter dated shortly before his death.
Tom Wesselmann (American, 1931-2004). Serigraph titled "Seascape (Tit)" depicting a nude breast in front of an ocean.

(Folio) Height: 31 in x width: 25 in. (Sheet, each) height: 29 1/2 in x width: 23 1/2 in.


The portfolio is in overall good condition. There are no rips, losses, or restorations. A few of the prints have very light surface marks. The "Love" print has a slight smudge to the graphite signature. Some of the prints have extremely light wear along the extreme edges, possibly from minimal handling. The front sheet containing all the artist's names has a few small marks to the surface in the upper half. Some very light wear to the cloth-bound portfolio.

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