There is craquelure throughout the work. There are small losses to the paint surface throughout, mainly along the extreme edges of the work. When inspected under UV light, numerous areas of inpainting and restorations can be seen. The largest areas of inpainting include the subject's hand, the left side of his wig, his left shoulder, the background along the upper right quadrant, and along the edges. Along the verso, the area of restoration along the subject's wig can be seen. There is a restoration to the frame along the lower right corner, visible under UV light. Wear to the frame throughout.
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